Middle Eastern Islamic Inlaid or Chased Trays
Hollowware (Serving Tray / Platter) · Artisanal / Workshop Production. Likely produced in a regional metalworking hub such as Cairo, Damascus, or Casablanca. These pieces are typically handmade by skilled craftsmen rather than a branded manufacturer.
Pattern: Geometric Arabesque and Floral Repoussé. Features traditional Islamic interlace patterns and stylized carnation/tulip motifs typical of Moroccan or Egyptian craftsmanship.
Type
Hollowware (Serving Tray / Platter)
Maker
Artisanal / Workshop Production. Likely produced in a regional metalworking hub such as Cairo, Damascus, or Casablanca. These pieces are typically handmade by skilled craftsmen rather than a branded manufacturer.
Material
Silver-plated Brass or Copper (EPB/EPC). The yellowish exposure at the base of the rim suggests a base metal of brass or copper that has been silver-plated. This is common for large decorative trays of this size.
Dimensions
Estimated diameter 45-60 cm (18-24 inches). Substantial weight due to the gauge of the base metal, likely 1.5 - 2.5 kg.
Description
A classic example of Islamic metalwork, this large circular tray features a dense field of geometric and floral ornamentation. The central medallion is composed of an intricate 'interlace' pattern, a mathematical art form designed to represent the infinite nature of creation. The silver-toned surface provides a reflective backdrop that highlights the varying depths of the hand-chased design.
Key Features
Infinite interlace central motif; hand-stamped scalloped borders; evidence of base metal 'bleeding' (yellowish spots) which confirms it is plated rather than solid sterling.
Material & Composition
Silver-plated Brass or Copper (EPB/EPC). The yellowish exposure at the base of the rim suggests a base metal of brass or copper that has been silver-plated. This is common for large decorative trays of this size.
Finish & Decoration
Hand-chased and embossed with a satin patina. Techniques include 'repoussé' (hammering from the back) and 'chasing' (detailing from the front). Design features a central geometric star/interlace motif surrounded by concentric floral bands and a scalloped outer rim.
Hallmarks & Stamps
None visible in image. These items often lack standard Western hallmarks, though they may occasionally feature a small stamped workshop mark or a numeral indicating silver purity if they were solid alloy.
Construction Details
Hand-raised and hand-stamped. The piece shows evidence of being hammered from a flat sheet of metal. The irregular spacing in the floral border indicates manual stamping rather than machine rolling.
Functional Features
Flat central well for serving tea or appetizers; raised wide rim to prevent items from sliding off. Lack of handles suggests it may have been used with a folding wooden stand (Moucharaby style).
Handle & Grip Details
No handles present. This is a circular rimmed tray designed to be carried from the base or set into a circular table frame.
Craftsmanship Details
Highly skilled hand-tooling. The complexity of the geometric layout requires significant planning. The finish is 'vernacular,' meaning it lacks the clinical perfection of Western factory-made silver but possesses the charm of unique handmade objects.
Authentication Indicators
The irregularity of the 'punched' floral motifs is a hallmark of hand-chased work. The weight and the color of the exposed metal at wear points indicate silver-plated base metal.
Origin & Manufacturing
Middle East or North Africa (likely Egypt, Syria, or Morocco). These regions have a deep tradition of hand-hammered tray production using traditional apprentice-based workshop methods.
Era & Period
Modern / Mid-20th Century Islamic Revival. While the motifs are centuries old, the construction and surface wear suggest a 20th-century production intended for both domestic use and the export market.
Age Estimate
Circa 1950-1980. The wear patterns and the method of silver plating are consistent with mid-to-late 20th-century artisanal work.
Cultural Significance
Represents the 'Arabesque' style which avoids figurative imagery in favor of geometric perfection, reflecting Islamic theological aesthetics. These trays were common dowry items and symbols of hospitality.
Condition Notes
Good / Fair. Visible 'plating loss' on the lower rim where the brass/copper base is showing through. Scratches consistent with use. Moderate oxidation/tarnish in the recessed areas (which actually helps define the pattern). Overall structure appears sound.
Value Estimate
$75 - $200 USD. Value is driven by decorative appeal and size. As silver-plated brass rather than solid sterling, the value is in the craftsmanship rather than the melt weight.
Care & Maintenance
Clean with a mild silver cream (Wright's) or a soft cloth. Avoid abrasive 'dip' cleaners which can strip the thin silver plating and expose more of the base metal. Dry thoroughly to prevent green verdigris on the exposed brass.
Similar Pieces
Mamluk Revival trays (heavy brass/copper with silver/gold inlay), Moroccan Hammered Aluminum trays (lighter and cheaper), and Persian Hand-Engraved Silver trays (often solid .840 or .900 silver).
Interesting Facts
In many Middle Eastern cultures, these large trays serve as the 'tabletop' itself, placed on top of a low wooden tripod to host communal tea ceremonies or large family meals.