Late Victorian Sterling Silver Fiddle Pattern Teaspoon by Josiah Williams & Co.

Flatware - Teaspoon · Josiah Williams & Co. (George Maudsley Jackson & David Landsborough Chase). Founded by Josiah Williams in Bristol, the firm became a significant late-19th-century manufacturing silversmith known for high-quality flatware production for the London and regional markets.

Pattern: Fiddle Pattern. Introduced in the late 18th century and popularized in the 19th century, this remains one of the most enduring and classic utilitarian patterns in British silver history. Currently out of mainstream mass production but widely available in the secondary market.

Late Victorian Sterling Silver Fiddle Pattern Teaspoon by Josiah Williams & Co.

Type

Flatware - Teaspoon

Maker

Josiah Williams & Co. (George Maudsley Jackson & David Landsborough Chase). Founded by Josiah Williams in Bristol, the firm became a significant late-19th-century manufacturing silversmith known for high-quality flatware production for the London and regional markets.

Material

Sterling Silver (.925 purity). Solid silver construction throughout with no base metal or weighted elements.

Dimensions

Estimated Length: 13-14 cm (approx. 5.25 inches). Estimated Weight: 20-25 grams (0.64 - 0.80 troy oz). This represents a standard individual teaspoon size.

Description

An elegant example of late 19th-century British silverware, this teaspoon showcases the timeless Fiddle pattern. The handle stem tapers gracefully into a broad terminal with the characteristic 'shoulders' that give the pattern its name. Its surface is un-monogrammed, highlighting the luster of the high-purity sterling silver. The hallmarks are exceptionally well-preserved on the reverse of the handle, serving as both a guarantee of quality and a historical record of London’s prestigious silversmithing tradition.

Key Features

Distinctive Fiddle pattern shoulders, high-clarity London hallmarks, integral single-piece construction, and the specific maker's mark of Jackson & Chase (Josiah Williams), a respected name in 19th-century flatware.

Material & Composition

Sterling Silver (.925 purity). Solid silver construction throughout with no base metal or weighted elements.

Finish & Decoration

Polished mirror finish with a classic 'Fiddle' shape characterized by the widening of the stem towards the terminal with two distinct shoulders above the bowl. This piece is plain, devoid of engraving or monograms, reflecting the minimalist aesthetic of standard Victorian domestic silver.

Hallmarks & Stamps

Full set of British hallmarks including: 1. Maker's Mark 'GJ' over 'DF' (George Maudsley Jackson & David Landsborough Chase); 2. Lion Passant (Sterling Silver purity mark); 3. Leopard's Head (London Assay Office mark); 4. Date Letter 'e' (circa 1890); 5. Queen Victoria Duty Mark (profile of the monarch).

Construction Details

Die-struck from a single sheet of sterling silver. The sharp definition of the fiddle shoulders and the deep, clean strike of the hallmarks indicate high-quality industrial manufacturing using precision steel dies typical of the late 1890s.

Functional Features

Tapered stem for balance, ergonomic 'fiddle' terminal for grip stability, and a deep oval bowl designed for stirring tea and measuring small quantities of sugar.

Handle & Grip Details

Solid sterling silver terminal, integral to the stem. The fiddle shape provides a comfortable wide surface area for the thumb and forefinger.

Craftsmanship Details

Excellent industrial craftsmanship. The symmetry of the fiddle shoulders is perfect, and the finish work on the edges of the handle indicates careful hand-polishing after the die-striking process.

Authentication Indicators

Hallmark consistency is excellent; the arrangement of the Lion Passant, Leopard's head, and Duty mark matches the official London registers for 1890. The 'GJ/DF' maker mark is correctly registered for this period. Construction shows no signs of modern casting or laser reproduction.

Origin & Manufacturing

London, England. Although Josiah Williams & Co. had roots in Bristol, this piece was assayed in London, which was the primary hub for certifying silver quality for the British Empire's elite markets.

Era & Period

Late Victorian Era (1837-1901). The presence of the Queen Victoria duty mark (used until 1890) and the specific date letter/maker combination place this at the cusp of the transition into the late Victorian period, characterized by sturdy, functional domesticity.

Age Estimate

Circa 1890. This is confirmed by the specific 'e' date letter for the London cycle and the maker's mark used by Jackson and Chase during their tenure at Josiah Williams & Co.

Cultural Significance

The 19th-century tea ritual was a cornerstone of British social life. A set of sterling silver spoons like this functioned as a 'portable' display of middle-class wealth and refinement, often gifted as wedding presents to last for generations.

Condition Notes

Very Good condition. Minor surface micro-scratching consistent with light household use and polishing over 130 years. The hallmark strikes remain deep and legible. No signs of thinning in the bowl or significant dents.

Value Estimate

$40.00 - $75.00 USD. Value is driven by the silver weight, the prestige of the London hallmarks, and the popularity of the maker. Complete sets of 6 or 12 command a higher premium per piece.

Care & Maintenance

Clean with a soft cloth and a specialized silver cream like Wright's. Avoid automated dishwashers, as high heat and harsh detergents can pit the silver surface. Store in a tarnish-resistant cloth roll to minimize oxidation.

Similar Pieces

Old English pattern (no shoulders on the stem), King's Pattern (highly ornate shell decoration), or Hanovarian pattern (turned up terminal with a central ridge). Competitors include pieces by Chawner & Co. or George Adams.

Interesting Facts

The Fiddle pattern was so popular in the 19th century that it was produced in several variations including 'Fiddle and Thread' and 'Fiddle, Thread and Shell.' The addition of the Queen's head duty mark was a tax indicator; its removal from silver in 1890 makes pieces from this specific year highly transitionally interesting to collectors.

Identified on 5/24/2026