David-Andersen Norwegian Guilloché Enamel Sterling Silver Gilt Brooch
Jewelry (Brooch/Pin) · David-Andersen (D-A), founded in Oslo, Norway, 1876. One of the most prestigious Scandinavian silversmiths, famed for technical mastery in enamel work and mid-century 'modernist' aesthetics.
Pattern: Traditional Guilloché Enamel Collection; Sunburst and Concentric Oval pattern.

Type
Jewelry (Brooch/Pin)
Maker
David-Andersen (D-A), founded in Oslo, Norway, 1876. One of the most prestigious Scandinavian silversmiths, famed for technical mastery in enamel work and mid-century 'modernist' aesthetics.
Material
Sterling Silver (.925) with a Vermeil (gold-plated) finish, topped with glass-fired enamel (vitreous enamel).
Dimensions
Standard oval size, approximately 5.5 cm to 6 cm in length and 3 cm in height; estimated weight between 15-22 grams.
Description
An exquisite example of Norwegian craftsmanship, this oval brooch features a brilliant lime green translucent enamel over a complex engine-turned ground. A central sunburst radiates toward a white enamel concentric ring, framed by an outer border of textured green. The gilding on the silver provides a warm glow that enhances the saturation of the glass enamel.
Key Features
Translucent 'jelly' enamel effect; sunburst guilloché pattern; tiered concentric design; vibrant lime/chartreuse color palette; David-Andersen's signature gilding.
Material & Composition
Sterling Silver (.925) with a Vermeil (gold-plated) finish, topped with glass-fired enamel (vitreous enamel).
Finish & Decoration
High-polish gold gilding; Guilloché technique featuring engine-turned geometric engraving (sunburst center and scalloped borders) underneath translucent lime green and white enamel layers.
Hallmarks & Stamps
Likely stamped on reverse: 'D-A', '925S', 'NORWAY STERLING', and sometimes a scales mark. The 'S' following the fineness is the typical Norwegian standard mark.
Construction Details
Die-struck silver base with machine-engraved guilloché patterns; hand-applied enamel powder fired in a kiln; hand-applied gilding; soldered pin-back assembly.
Functional Features
Single horizontal pin stem on the reverse with a safety 'C' clasp or rolling trombone lock for secure attachment to garments.
Handle & Grip Details
N/A (Jewelry item); features a steel or silver pin stem and hinge assembly on the back.
Craftsmanship Details
Expertly executed enamel application with no 'pitting' or bubbles. The engine-turned engraving is perfectly centered, showing high-precision tool work typical of the D-A factory.
Authentication Indicators
Distinctive vibrant Norwegian enamel colors; sharp, precise engine-turning visible through glass; hallmark style matches known David-Andersen period stamps.
Origin & Manufacturing
Oslo, Norway. Manufactured in the David-Andersen workshop, known for world-class enamelists and strict quality control.
Era & Period
Mid-Century Modern / Post-War Scandinavian Design (c. 1940-1960). Reflects the period's transition from traditional craft to sleek, vibrant modernist accessories.
Age Estimate
Circa 1950s. The vibrant lime green color and concentric oval geometry are highly characteristic of mid-century David-Andersen production.
Cultural Significance
Represents the pinnacle of the 'Scandinavian Look' that dominated mid-century interior and fashion design, emphasizing nature-inspired colors and superb industrial-craft hybrid techniques.
Condition Notes
Excellent condition. Surface shows no visible chips ('flakes') or hair-line cracks in the enamel. Gilding appears intact on the edges. Pin assembly is straight.
Value Estimate
$150 - $250 USD. Value depends on the rarity of the color (lime is desirable) and the lack of damage to the enamel surface.
Care & Maintenance
Avoid ultrasonic cleaners or steam. Clean only with a soft damp cloth and mild soap. Prevent dropping, as vitreous enamel is glass and will shatter or chip upon impact.
Similar Pieces
Marius Hammer enamel brooches (often more Victorian/Filigree style) or Ivar T. Holth pieces (often smaller and simpler designs).
Interesting Facts
David-Andersen's daughter-in-law, Uni Andersen, and various female designers like Bjørn Sigurd Østern pushed these vibrant enamel designs into the global spotlight during the mid-20th century.