Edwardian Sterling Silver Fiddle Pattern Teaspoon by Josiah Williams & Co
Flatware (Teaspoon) · Josiah Williams & Co (Jackson & Fullerton). Founded in 1819, Bristol, England. They were prolific silversmiths known for high-quality flatware, often supplying major retailers.
Pattern: Fiddle Pattern. Introduced in the late 18th century, this became the most popular British flatware pattern of the 19th and early 20th centuries. It is now considered a timeless classic.
Type
Flatware (Teaspoon)
Maker
Josiah Williams & Co (Jackson & Fullerton). Founded in 1819, Bristol, England. They were prolific silversmiths known for high-quality flatware, often supplying major retailers.
Material
Sterling Silver (.925 purity). Composed of 92.5% pure silver and 7.5% copper for strength.
Dimensions
Length: approx 13-14 cm (5.5 inches); Weight: approx 18-24 grams. Standard teaspoon size.
Description
A classic example of British silversmithing, this Fiddle pattern teaspoon represents the height of functional elegance. Produced by the renowned Josiah Williams & Co, it features the clean lines and sturdy construction that made this pattern a staple of middle and upper-class Victorian and Edwardian dining rooms.
Key Features
Distinctive Fiddle shoulders, deep-struck hallmarks, balanced weight, and the 'JW&Co' maker's mark within a rectangular shield.
Material & Composition
Sterling Silver (.925 purity). Composed of 92.5% pure silver and 7.5% copper for strength.
Finish & Decoration
Polished mirror finish with natural aged patina. The Fiddle pattern features a distinct 'violin' shaped handle with subtle shoulders near the bowl. Minimalist and functional aesthetic.
Hallmarks & Stamps
British Hallmarks: 'JW&Co' (Maker's mark), Lion Passant (British Sterling standard), Leopard's Head (London Assay Office), and 'e' (Date letter for 1900).
Construction Details
Die-struck from a single sheet of silver. Hand-finished edges and hand-struck hallmarks. This method ensures durability and uniformity.
Functional Features
Rounded bowl for stirring and scooping; flared 'fiddle' handle for ergonomic grip and balance.
Handle & Grip Details
Solid sterling silver handle, integral to the piece. Flared shape with flattened edges. No monograms are visible in this view.
Craftsmanship Details
Quality die-work with clean definition in the 'shoulders'. The hallmarks are well-aligned, indicating a careful strike by the journeyman silversmith.
Authentication Indicators
The hallmarks are correctly struck and show appropriate age-related wear. The maker's mark matches the registration for Jackson & Fullerton (trading as Josiah Williams & Co) exactly.
Origin & Manufacturing
London, England (Assayed in London). Manufactured by Josiah Williams & Co, primarily a Bristol-based firm that used the London assay office for prestige.
Era & Period
Late Victorian/Early Edwardian (c. 1900). Reflects the continued popularity of traditional Georgian shapes into the transition of the 20th century.
Age Estimate
1900. Based precisely on the 'e' date letter and the specific maker's mark used by the firm at that time.
Cultural Significance
The Fiddle pattern became the 'democratic' silver pattern of the 19th century, bridging the gap between aristocracy and the rising middle class during the Industrial Revolution.
Condition Notes
Good antique condition. Shows heavy surface scratches (micro-marring) consistent with decade of cleaning and use. Tarnish present within the recesses of the hallmarks. No visible bends or structural cracks. Grade: Very Good.
Value Estimate
$30 - $55 USD. Value is driven primarily by melt weight plus a modest antique premium for the maker and London hallmark.
Care & Maintenance
Clean with a soft cloth and a reputable silver cream like Wright's. Avoid dishwasher use at all costs as high heat and salts will pit the silver. Store in a tarnish-resistant cloth roll.
Similar Pieces
Old English pattern (no shoulders), King's Pattern (highly ornate), and Queens Pattern. Competitors like Chawner & Co produced nearly identical Fiddle pieces.
Interesting Facts
Josiah Williams & Co was the largest manufacturing silversmith in Bristol and survived for over 120 years, making them one of the most successful provincial makers despite their frequent London assaying.