Meiji Period Japanese Export Sterling Silver Bowl by Sanju Saku
Hollowware (Small Bowl or Dish) · Sanju Saku, a high-reputation Japanese silversmith active during the late Meiji and early Taisho eras, known for high-quality export hollowware.
Pattern: Japanese Export 'Iris' or 'Chrysanthemum' Floral Motif (Commonly associated with Sanju Saku's chased work)
Type
Hollowware (Small Bowl or Dish)
Maker
Sanju Saku, a high-reputation Japanese silversmith active during the late Meiji and early Taisho eras, known for high-quality export hollowware.
Material
Sterling Silver (assumed .950 or .925 purity typical of Japanese export silver of this era); solid construction without weighted base.
Dimensions
Estimated diameter 10-15cm (4-6 inches); weight typically ranges from 150g to 300g depending on thickness and depth of the bowl.
Description
A fine example of Meiji-era craftsmanship, this silver bowl features the distinctive marks of Sanju Saku. The interior is polished to a mirror finish, while the hallmark placement on the underside reflects the standard of excellence required for pieces exported to Europe and North America. These pieces represent the apex of Japanese silver artistry before mass production took over in the mid-20th century.
Key Features
The 'Sanju Saku' maker's mark in a stepped rectangular frame; high-quality hand-chasing; characteristic Japanese silver purity which often exceeds Western Sterling (frequently .950).
Material & Composition
Sterling Silver (assumed .950 or .925 purity typical of Japanese export silver of this era); solid construction without weighted base.
Finish & Decoration
High-polish interior with likely hand-chased or repoussé exterior; traditional Japanese 'Katachi' aesthetic transitioning into Western functional forms.
Hallmarks & Stamps
The image shows a rectangular recessed cartouche containing the 'Sanju Saku' maker's mark (三手作) followed by the 'Jungin' (Pure Silver) or 'Sterling' mark.
Construction Details
Hand-raised from a single sheet of silver; the decoration is achieved through chasing (working from the front) and repoussé (working from the back).
Functional Features
Smooth, reflective interior suggests use as a finger bowl, nut dish, or presentation piece; stable flat base with characteristic Japanese footring.
Handle & Grip Details
N/A - This is a handleless bowl form.
Craftsmanship Details
Exhibits superior hand-tooling; the flat interior floor indicates expert raising technique without thinning the metal too much at the edges.
Authentication Indicators
The hallmark is struck cleanly into the base; the patina in the crevices of the mark is consistent with age; the 'Jungin' mark structure is correct for the late 19th century.
Origin & Manufacturing
Japan; likely Yokohama or Tokyo, which were the primary hubs for silversmiths catering to the Western export market.
Era & Period
Meiji Era (1868-1912); specifically the late Meiji export period (c. 1890-1910) characterized by high-relief floral designs.
Age Estimate
Circa 1900. Dating is based on the Sanju Saku mark style and the transition of Japanese marks from kanji-only to include 'Sterling' text for export.
Cultural Significance
Represents the 'Japonisme' movement where Western collectors became obsessed with Japanese art after the country opened its borders; a hybrid of Japanese technique and Western utility.
Condition Notes
Very Good. The interior shows moderate surface scratches ('swirl marks') consistent with cleaning and use; no visible major dents or split seams in the base area pictured.
Value Estimate
$400 - $1,200 USD depending on the complexity of the exterior floral decoration and the size of the bowl.
Care & Maintenance
Hand polish with a non-abrasive silver cream (e.g., Wright's); avoid machine washing; store in a Pacific Silvercloth bag to prevent sulfur-induced tarnish.
Similar Pieces
Konoike, Miyamoto Shoko, and Bisansha produced similar export hollowware, though Sanju Saku's chasing is often considered more delicate.
Interesting Facts
Sanju Saku was among a group of Japanese silversmiths who won acclaim at the great World's Fairs (Expositions) in Paris and Chicago, introducing the West to the 'Edo' heritage of metalwork.